While less common for some reason, the same grid concept that we looked at last week can be applied to 16th notes. Again, just vary each partial of the beat four times once, then two times twice, and once four times. With the extra partial in each beat it makes for a longer exercise, but also means we have a little bit more room for whackier combinations to try out. Here are some of the same options we looked at last time, but with 16th notes.
Also remember that we can add another layer of complexity by adding static elements and secondary elements, like:
Play a diddle on every first partial, but then move through the accent grid, leaving you with accented didles and drags
Grid flams, but always play a diddle after each flam
Again, the possibilities are pretty much only limited to your imagination. Don't forget to move your feet and/or count out loud.
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