In the A section Steve Gadd plays open-handed, with his left hand on the hi-hat, much like he does on "50 Ways to Leave Your Lover" and other signature grooves of his.
A few times later in the tune he drops his left hand down to the snare on the & of 3, which makes a nice variation.
Now, even the most cursory of searches will show you that I'm not the first person to transcribe or write about this groove, not by a long shot. But most people seem to focus solely on that first part and fail to talk about how super hip the groove is in the next section. It's pseudo-linear, with hard-driving accents on the pulse.
Towards the end there's considerably more improvising, but as it builds in density we hear something more like this.
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