Tuesday, May 14, 2019

Kiko Freitas-style samba

It's been about 12 years since a Brazilian friend of mine first introduced me to the drumming of Kiko Freitas.  Recently I finally got to see him play live with Brazilian legend João Bosco.  Kiko was one of the first Brazilian drummers I was exposed to when started really digging in to this music.  He’s one of those drummers who sounds exactly like their records when playing live which was hugely satisfying.

I’ve written about Kiko’s playing before on this blog, and mentioned him in a couple of my Modern Drummer articles from a few years back.  In the MD article I mentioned a signature groove of his whereby he plays this rhythm on every beat in his left hand.


This underlying rhythm is one of the driving forces behind samba.  In his right hand he then plays 8th notes, so we're left with this:



By sticking it in this way we get a steady stream of really swinging 16th notes, but our right hand is free to do a little bit more.  The most basic approach would be to move between the ride and snare, like so:



It’s also quite nice to go to the floor tom to emulate a surdo.



These grooves are particularly useful when playing a fast samba where most of us mortals can’t play that crazy-fast right hand thing that guys like Kiko and Edu Ribeiro can do.

I really enjoyed seeing Kiko put this groove to use with João Bosco in London a couple weeks back.  And at the concert he took this idea to another level.  He still had the 1ea rhythm in his left hand, but he then proceeded to play a telecoteco pattern on his ride cymbal, which was absolutely killer.



I was able to find a video of Kiko playing this groove on YouTube.  This particular pattern start around 1:49.



As with any groove there's a lot more to it than is notated.  You'll have to listen and play along to properly imitate the inflection and swing.

Try any or all of the ideas above with some of these rhythms in your feet.




And also remember that there’s always the “Jazz Samba Builder” that you can pull some ideas from as well.

No comments:

Post a Comment